The night Bookmobile by Audrey Niffenegger


The story is the kind of story that readers can always enjoy when books are an important part of their lives.

The centre plot is about a Library, a mobile one where the main character finds every reading that she had done in her life. Not only books or magazines, but her Diaries, and something so weird as the cereal boxes of her breakfasts. There, she finds her whole history as a reader, a history that has grown up every time that she finds the Bookmobile in one of her night walks through the city.

The illustrations are no the best, but the story is more than enough to enjoy this graphic novel.

I won’t say that I share the idea of the end of the story as the best, but I can perfectly understand the point of the author if she was trying to show the reader how far love for books can arrive.

Audrey Niffenegger (Biography copied from her Web site)

I began making prints in 1978 under the tutelage of William 31c2MhoQZEL._UX250_Wimmer. I trained as a visual artist at the School of the Art Institute of Chicago, and received my MFA from Northwestern University’s Department of Art Theory and Practice in 1991. I have exhibited my artist’s books, prints, paintings, drawings and comics at Printworks Gallery in Chicago since 1987. In 2013, a major mid-career retrospective of my prints, paintings and artist’s bookworks opened at the National Museum of Women in the Arts in Washington, DC.

My first books were printed and bound by hand in editions of ten. Two of these have since been commercially published by Harry N. Abrams: The Adventuress and The Three Incestuous Sisters.

In 1997 I had an idea for a book about a time traveler and his wife. I originally imagined making it as a graphic novel, but eventually realized that it is very difficult to represent sudden time shifts with still images. I began to work on the project as a novel, and published The Time Traveler’s Wife in 2003 with the independent publisher MacAdam/Cage. It was an international best seller, and has been made into a movie.

In 1994 a group of book artists, papermakers and designers came together to found a new book arts center, the Columbia College Chicago Center for Book and Paper Arts. I was part of this group and taught book arts for many years as an Associate Professor in Columbia College’s MFA program in Interdisciplinary Book and Paper Arts. Until May, 2015 I was a Professor on the faculty of the Columbia College Creative Writing Department. I’ve also taught for the Newberry Library, Penland School of Craft, Haystack, the University of Illinois at Chicago and other institutions of higher learning. I am currently on hiatus from teaching in order to get my own work done.

My second novel, Her Fearful Symmetry, was published in 2009 by Scribner (USA), Jonathan Cape (UK) and many other fine publishers around the world.

In 2008 I made a serialized graphic novel for the London Guardian, The Night Bookmobile, which was published in book form in September, 2010. In 2013, the illustrated novella, Raven Girl, was published in conjunction with the Royal Opera House Ballet production of Raven Girl, which was choreographed by Wayne McGregor. Raven Girl will return to the main stage at Covent Garden in October 2015.

Currently, I am working on a sequel to The Time Traveler’s Wife. The working title is The Other Husband. I am also continuing to work on The Chinchilla Girl in Exile and artwork for an exhibition at Printworks Gallery in September 2016.




A selection of his famous diary that show us how life real was in the XVII Century. In this book, the passages are collected together by subject.

Pepys was not trying, of course, to share his experiences of daily life with us, and sometimes his diaries are a little annoying, but what there are to discover about every day is fascinating. Some data are interesting, other surprising, and thanks to him; I know now more about the great fire (1666), the last outbreak of the pest in England (1665), or what people usually did with their spare time.

Some of these interesting data:

“…books were normally sold unbound and were later given leather covers of the purchaser’s choice.  (Cloth covers did not come in until the 1820s.)”

“… we find a shepherd and his little boy reading, far from any houses or sight of people, the Bible to him”.  The general idea that I had about people in the XVII Century is that most of them were illiterate, but of course if a shepherd was reading to his son, that idea is quite wrong.

“Pepys was fond of oysters which, were a popular food rather than a luxury.”

“St Valentine’s Day. A common convention was that both men a women chose as their Valentine the first persona they saw on St Valentine’s day.”   “… the femela Valentines claimed expensive presents.”  It is good to know that presents for Valentine’s Day is not a El Corte Inglés or John Lewis invention.

“Pepys never records being accosted by beggars…..  Does he take them for granted like the smells.”

Besides these, there are a lot of more interesting data, and this is only a small part of his Diaries.

Samuel Pepys was born on 23 February 1633 near Fleet Street in London,download (1) the son of a tailor. He was educated at St Paul’s School in London and Cambridge University. After graduating, Pepys was employed as secretary to Edward Montagu, a distant relative who was a councillor of state during the Cromwellian protectorate and later served Charles II. In 1655, Pepys married 15-year-old Elizabeth Marchant de Saint-Michel, daughter of a Huguenot exile. In 1658, he underwent a dangerous operation for the removal of a bladder stone. Every year on the anniversary of the operation, he celebrated his recovery.

Pepys began his diary on 1 January 1660. It is written in a form of shorthand, with names in longhand. It ranges from private remarks, including revelations of infidelity – to detailed observations of events in 17th century England – such as the plague of 1665, the Great Fire of London and Charles II’s coronation – and some of the key figures of the era, including Sir Christopher Wren and Sir Isaac Newton. Fear of losing his eyesight prompted Pepys to stop writing the diary in 1669. He never actually went blind.

In June 1660, Pepys was appointed clerk of the acts to the navy board, a key post in one of the most important of all government departments, the royal dockyards. In 1673, he became secretary to the Admiralty and in the same year a member of parliament for a Norfolk constituency, later representing Harwich. He was responsible for some important naval reforms which helped lay the foundations for a professional naval service. He was also a member of the Royal Society, serving as its president from 1684-1686.

In 1679, Pepys was forced to resign from the Admiralty and was imprisoned on a charge of selling naval secrets to the French, but the charge was subsequently dropped. In 1685, Charles II died and was succeeded by his brother who became James II, who Pepys served as loyally as he had Charles. After the overthrow of James in 1688, Pepys’s career effectively came to an end. He was again arrested in 1690, under suspicion of Jacobite sympathies, but was released.

Pepys died in Clapham on the outskirts of London on 26 May 1703.